艾米利亚的孩子

《艾米利亚的孩子》最令人称道的是导演加布里埃尔·阿布兰特斯对空间与声音的精准控制——他将葡萄牙乡村宅邸的幽闭感层层编码进画面构图中，长镜头缓慢游走于走廊与暗室，用环境音中细微的滴水声、木板咯吱声替代廉价惊吓。 建议喜欢《遗传厄运》《母亲！》这类用家庭关系和心理压迫代替鬼脸吓人的观众来看。 ☆。导演没有用突如其来的惊吓，而是让走廊的阴影、摇篮的轻微晃动、母亲眼神里逐渐碎裂的温柔，一点点织成一张密不透风的网。布里盖特·伦迪·佩恩演那个母亲，眼神从温柔到发毛的转变特别自然，你分不清她是爱孩子还是被孩子控制住了。布里盖特·伦迪·佩恩演的年轻母亲几乎全程面无表情，但她给孩子洗澡时手指微微颤抖的细节，比任何鬼魂现身都更让人脊背发凉。

　　When Edward’s search for his birth family takes him and his girlfriend Ryley to a magnificent villa high in the mountains of northern Portugal, he is excited to meet his long-lost mum and twin brother. Finally, he’ll be able to find out who he is and where he comes from. But nothing is as it seems, and Edward soon discovers that he is bound to them by a monstrous secret. First foray into horror by one of the surest assets of Portuguese cinema.
　　After the visual delirium of “Diamantino” that won him the Critics’ Week prize at Cannes, Gabriel Abrantes surprises with a more classic horror film around the mystery of family origins, but also following the Portuguese canon of country vs. city. Carloto Cotta in a double performance, Alba Baptista and Anabela Moreira in very challenging roles.
　　源自：https://poff.ee/en/film/amelias-children/

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