夹缝中活着，小春

如果你正在犹豫要不要看，我可以告诉你：这部电影用近乎白描的日常镜头，拍出了小春在拥挤生活里悄悄呼吸的瞬间。导演葛里华有意消解戏剧冲突，大量采用固定中景镜头与留白段落，让宫泽冰鱼与小西樱子在琐碎动作中传递出人物间微妙的疏离与依恋。宫泽冰鱼把那种“想爱又不敢伸手”的犹豫演得特别具体，比如他反复摩挲手机壳边缘的小动作；小西樱子则用眼神递出了角色内心的潮汐，有一场她对着阳台晾晒的被单发呆的戏，就足够让人心软。尤其是小春在厨房偷偷把眼泪擦掉继续做饭那场戏，看得我鼻头一酸。宫泽冰鱼演的那个总是慢半拍的男生，在站台犹豫要不要追上去时，我心跳都卡了一拍——那种想伸手又缩回的尴尬太真实了。宫泽冰鱼演的那个总蹲在便利店门口抽烟的男人，和小春之间没有一句表白，只有一次他偷偷往她购物袋里塞了一盒打折布丁——就这一个动作，我眼眶直接热了。

　　Haru, a struggling magazine editor, meets the painter Toru during research for one of her articles. Toru is autistic and straightforward in expressing his thoughts. Haru is drawn to his honesty, and a deep emotional bond forms between the two despite their different personalities. Director Rika KATSU sensitively portrays their unusual relationship.
　　源自：https://db.nipponconnection.com/en/event/1367/spring-in-between

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