死亡修女

哎，我跟你说，《死亡修女》这片子真是让我后背发凉！帕科·普拉萨这回没搞那些花里胡哨的跳吓，而是慢慢磨你的耐心——修女院里那些压抑的走廊、昏暗的烛光，配上突如其来的寂静，让人大气不敢喘。适合那些喜欢《驱魔人》式古典恐怖、不介意慢节奏但追求细思极恐氛围的观众，想找刺激的可能觉得闷，但愿意慢慢体会压抑感的会非常满足。阿瑞亚·贝得玛饰演的主角从最初的笃信到逐渐崩溃，那种信仰被一寸寸啃噬的过程看得人心里发紧。尤其喜欢那些藏在弥撒经文里的暗语，以及几场用烛光阴影完成的转场，既克制又精准。整个故事发生在灰扑扑的老修道院里，镜头慢慢晃过那些旧木头门、蜡烛油、还有忽明忽暗的回廊，气氛压得人喘不过气来。演员特别值得夸，尤其是阿瑞亚·贝得玛演的那个被附身的修女，眼神从虔诚到扭曲的转变，没有夸张的嚎叫，就靠嘴角抽搐和手指发抖，看得我后背发凉。

　　The film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.

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